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Jul. 13th, 2009

"Bananas" (1971)

Also known as, The First Woody Allen Movie I Didn't Like.  It's essentially a hybrid of (bad) Allen and (really bad) "Family Guy".




Jul. 8th, 2009

Gotta Say

I honestly enjoyed myself while watching "He's Just Not That Into You."

Jul. 7th, 2009

Photo of the Day


Jun. 19th, 2009

Three Images



Temporarily entertaining.

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Jun. 7th, 2009

I Haven't Been Posting Much

BECAUSE I'M ALWAYS WATCHING YOU



Jun. 4th, 2009

Goodbye to one of the coolest



David Carradine, aka The Snake Charmer, was 72.

May. 27th, 2009

Kanye's new "Paranoid" Vid


Rihannalicious.  "808s and Heartbreaks" is still my favorite album in years.

May. 26th, 2009

Star Trek, Terminator Salvation, The Girlfriend Experience

JJ Abrams may prove to be a director that can't find a foothold in either of the media he has dabbled in thus far in his his young career, television and film.  The man clearly has talent; he is one of the co-founders of "Lost", after all.  His first film, "Mission: Impossible III" gave the series a shot of energy of energy after second installation, a flash-bang set piecer that grows increasingly stagnant upon repeat viewings.  His "Star Trek" re-boot has a lot of the same positives, and negatives, as his directorial debut.  

Abrams lets his directorial presence known quickly: the film opens with a dizzying rotating scene of one really big loud ship with lasers being obliterated by an even bigger loud ship with lasers (this is the film synopsis in a nutshell).  The action is exhausting, the camera is never still, and explosions, increasingly shrill screaming, phasers and lasers dominate the frame.  Chris Pine is comfortable and in command of the role that will probably make him a star; he is easy to root for but doesn't come off as annoyingly brash as the script could have reduced him to.  His face is the only thing I remember the camera focusing on without moving or even fidgeting at for more than ten seconds in the entire movie, so that should say something about Abrams' confidence in his lead.  I would also like to put forth the notion that Simon Pegg be in every Abrams movie henceforth.  Do I hear a Second?

The story, more convoluted than I could probably explain if I cared to, begins to collapse in upon itself before the writers seem to end it in a rushed finale.  This was the biggest flaw of "M:I-III".  Each film opens with a simple enough plot--here Young Kirk and Young Spock try to find their purpose in the universe by enlisting in Star Fleet (or whatever the academy was called, I'm not exactly fluent in Trekkie), while the same villain who killed Kirk's father before his birth is back to wreak havoc for unknown reasons.  As the action scenes get more ridiculous, so does the script, which upstages the enjoyability of the film.  Nevertheless, the spectacle is notable, and enough to carry the film as a whole.  

In the pilot for "Lost", Abrams was only responsible for the first two (comparatively straight-forward) hours of what would prove to be the most narratively expansive and twisted show in history, and his storytelling abilities seemed to be at their sharpest.  The characters were given perfect amounts of exposition and intrigue, and the spectacle was incredible, espeically for television.  As he has proven with his first two films, though, Abrams' frenetic visual style is best suited for the big screen (and budget).  And while enjoyable in their own right, the action clearly outweighs the story in terms of planning and execution.  It will be interesting to see where he goes from here.


Whereas "Star Trek" can be chalked up as a mild success, the same can't be said for McG's idiotic "Terminator Salvation".  Ironically enough, after the infamous on-set spontaneous combustion of Christian Bale in his hateful bashing of  DP Shane Hurlbut, the cinematography is the best part of this otherwise useless movie.  The opening scene of the film (keep in mind, this is before the plot is revealed to the audience) had me thinking that this was going to be one hell of a ride, as it features several long takes, an effective feel of immediacy, and jarring action that impressed me.  

Whatever committee of film school dropouts wrote this incoherent piece of garbage screenplay need to have the skin of their arms slowly cut and ripped from their bones in order to keep them away from a keyboard.  It's as if they took the following keywords, wrote them on pieces of paper, loaded them into a shotgun, splattered the pulpy remains all over the floor, and then tried making a script out of them: future, past, sarah connor, explosion, hunter-killer, armageddon, hero, "SURVIVE!", john connor, subplot, kyle reese, skynet, etc.

The movie is in a hurry to go nowhere, taking no time to introduce characters or give the audience any reason to give a damn about them.  The story awkwardly switches back and forth between John Connor's rebelling against the stock retarded suits in charge of the human revolution and the story of the terminator who doesn't know he's a terminator secretly programmed to track down the father of Connor.

As great a film as "Terminator 2" was, let's face it, it shouldn't have been made in theory.  What makes me overlook the notable plot holes were the importance of the human factor in its characters, with scenes such as John explaining to the Big Austrian why people cry, and the menace of both terminators.  They are two terrifically written characters, played by actors who seemed to know exactly how to play them.  Here, there is no concrete enemy, just the faceless (and usually absent) Skynet, while there is no real protagonist, either.  Christian Bale brings nothing to the table here, and somehow I cared less about him than I did when whatshisname took a stab at playing him in "Terminator 3".  Sam Worthington's character, the terminator with the identity crisis, is just as boring.  The movie is in such a rush to get to the next action scene that it only drops hints at human emotion, such as Connor's pregnant wife.  Why is she pregnant?  What's her name?  Is anybody worried about the kid getting leukemia?

And watch out for that Arnold cameo.  It's contagious-level retarded.  


If you'd like to take a breather from the sequels and prequels and re-makes and re-boots of summer (if I'm counting right, there have already been five released, and there will be another half dozen by summer's end, not including the new Woody Allen movie), I suggest Steven Soderberg's "The Girlfriend Experience".  Watch it now, the director wants you to (it's in theaters and available through Movies on Demand) and it's really the only appropriate time to do so.  Like most of the increasingly interesting director's body of work, the film thrives on its improvisational and quiet air.  It was shot in sixteen days last October, and makes no false illusions that it is an filmic observation of the most immediate kind.  The characters discuss the then-upcoming election and the federal bailout plan.  It's a little slice of today, and like a newspaper, it will be stale if you wait until tomorrow to pick it up.

The film revolves around the daily routine of Chelsea, a sexy New York escort who earns $2000 per hour offering clients the full titular ride, and then goes home to her boyfriend who loves her and supports her and her work.  She is played by Sasha Grey, one of the most notorious hardcore pornstars in the industry today.  With the casting alone, Soderberg is addressing the sexual nature of the piece head-on and unapologetically.  It is short, quiet, and sweet, not bothering with any big melodrama but rather letting the characters talk in lengthy back-and-forth dialogs.  This is not a movie about sex, it's a movie about a woman who has sex for money.  It is frank in its discussion of sex, and Chelsea occasionally narrates her daily stories in a monotonous, matter-of-fact tone: "I went out to (restaurant) with (client), we had wine, talked about his insurance firm laying off accountants due to the economy, we went back to his place, I went down on him and we fucked for forty-five minutes, then he fell asleep", etc. etc.  

Time will tell how this 78 minute slice of current life holds up, but I say enjoy it now, while it's still relevant.  It isn't pretentious and doesn't plan on being around much longer. 

May. 20th, 2009

Blurred

Forgot to put my glasses back on after placing them atop my car a couple days ago.  Long story short, after searching fruitlessly for 45 minutes in a parking lot, I finally spotted them, then watched a Mercedes roll right over them a split second later.  The fabric of the universe tore a tiny bit for half an hour, then was re-sown when my dad presented me with a 32" Vizio HDTV and complementary home theater system.  Flashy consumer goods, you are my salvation.

May. 15th, 2009

For my 19th birthday

I present you with my favorite 95 movies of my lifetime, because 190 is too many, let's face it.

1.    The Lord of the Rings
2.    Fight Club
3.    Synecdoche, New York
4.    Pulp Fiction
5.    Heat
6.    Before Sunrise
7.    The Departed
8.    City of God
9.    Barton Fink
10.    The Royal Tenenbaums
11.    Adaptation.
12.    The Thin Red Line
13.    The Assassination of Jesse James by the Coward Robert Ford
14.    There Will Be Blood
15.    Kill Bill Volume II
16.    Schindler’s List
17.    American Beauty
18.    The Fog of War
19.    Glengarry Glen Ross
20.    Collateral
21.    In the Mood for Love
22.    Kids
23.    Before Sunset
24.    Saving Private Ryan
25.    Children of Men
26.    Mulholland Dr.
27.    Requiem for a Dream
28.    The Incredibles
29.    Husbands and Wives
30.    Crank: High Voltage
31.    Eyes Wide Shut
32.    The Matrix
33.    Y Tu Mama Tambien
34.    The New World
35.    Rachel Getting Married
36.    The Wrestler
37.    Fargo
38.    The Shawshank Redemption
39.    21 Grams
40.    Office Space
41.    Groundhog Day
42.    No End in Sight
43.    Ocean’s Eleven
44.    The Man Who Wasn’t There
45.    2046
46.    The Big Lebowski
47.    Toy Story
48.    The Curious Case of Benjamin Button
49.    Friday Night Lights
50.    25th Hour
51.    Boogie Nights
52.    JFK
53.    American Splendor
54.    Eternal Sunshine of the Spotless Mind
55.    No Country for Old Men
56.    Hot Fuzz
57.    The Dark Knight
58.    The Fountain
59.    Punch-Drunk Love
60.    GoodFellas
61.    LA Confidential
62.    Brick
63.    Gladiator
64.    Lost in Translation
65.    Shortbus
66.    Malcolm X
67.    Traffic
68.    Calvaire
69.    All the Real Girls
70.    I’m Not There
71.    Out of Sight
72.    The Life Aquatic with Steve Zissou
73.    Terminator 2: Judgment Day
74.    King Kong
75.    The Diving Bell and the Butterfly
76.    The Truman Show
77.    Seven
78.    Good Will Hunting
79.    Syriana
80.    Elephant
81.    The Proposition
82.    Dogville
83.    Waking Life
84.    The Aviator
85.    Wall-E
86.    Minority Report   
87.    Brokeback Mountain
88.    Heavenly Creatures
89.    Forrest Gump
90.    Safe
91.    Casino
92.    Sideways
93.    Waltz With Bashir
94.    Crash (the leg sex one)
95.    Anchorman (tried finding a place for it, nothing fit, so I’m putting it here)

May. 1st, 2009

Why Sports Matter

 The most eloquent piece of sports journalism I've ever read.  Few writers are able to encapsulate such a pitch-perfect representation of a group mindset about a single event.  Written by Bill Simmons.

I measure excruciating losses by the amount of time I walk my dog afterward. That's my ritual. My team gets crushed, I walk it off. The walks usually last for 15-20 minutes. The walk after Game 6 lasted for hours. I think I ended up in Compton.

At one point, Rufus just stopped. He had enough. It was like 9:45 at night. We were in the middle of nowhere. We were like 250 blocks from my house. I think we were on the same street where Ricky Baker got gunned down in "Boyz n the Hood." Rufus planted his furry butt on a sidewalk and stared me down.

"I'm not going back until you explain to me why Doc put Tony Allen in the game," I told him.

He kept staring at me.

"We were up by five," I said. "We had scored on like 10 straight possessions. We were humming. They couldn't stop us. The series was over."

More staring.

"Two and a half minutes left and we have the ball. Again, they can't stop us. So Doc brings in our worst player -- our least intelligent player, our most ineffective player, the master of the fantastic drive/missed layup -- and takes out Big Baby when he was our second-best player tonight? And all because Chicago went small? SO WE'RE REACTING TO A DESPERATION COACHING MOVE BY VINNY DEL NEGRO!!!!! REALLY, THAT'S WHAT WE DID?????????"

More staring, coupled with some panting.

"And then, Tony ends up missing back-to-back shots and Chicago ties the game???? And it goes three overtimes and we lose because we make two straight 3-pointers with our toes on the line, then a WNBA player dunked on Paul Pierce, then we went to a guy shooting 4-for-47 on the deciding play when we have the best clutch shooter in the league and he had 51 points?"

At this point, I honestly expected Rufus to say something. Everything was in play, even talking dogs. We are watching a first-round series in which five of the first six games have come down to the final play. Four of those games went into overtime. One went into double OT. One went into triple OT. It's the wildest first-round series ever played. Whatever happens in Game 7, we will remember it as one of the most incredible matchup in NBA playoff history.

Derrick Rose took the superstar training wheels off. Rajon Rondo turned into Isiah Thomas, The Sequel: Just as talented, just as hated, just as nasty. Ben Gordon and Kendrick Perkins turned into Andrew Toney and Robert Parish. The great Ray Allen became a minus-130 favorite in the "Reggie Miller versus Ray Allen" argument and might have to change his name to "The Great Ray Allen." Paul Pierce added to his legacy and sullied it a little at the same time. Brad Miller made the Faces Hall of Fame and the Dorkiest White Guy Celebrations Hall of Fame. John Salmons and Glen Davis put themselves on the map as bona-fide NBA players. Kirk Hinrich redeemed his career. Stephon Marbury destroyed what was left of his career. Doc Rivers and Vinny Del Negro inspired their players and undermined them at the same time.

There were so many great plays and shots and moments that they have all blurred together. I've watched every second of this series and cannot remember how many clutch shots Ray Allen nailed over the past five games. The number might be nine. The number might be 15. The number might be 23. I couldn't tell you. They have all morphed into one super-duper clutch Ray Allen shot: The man flying off a screen, lulling his defender to sleep, then springing for his shot with perfect form. He is the greatest pure shooter I have ever seen. Ever. Not since Bird has anyone given me the feeling, "We might be down three, but we are absolutely tying this game."

I watched every moment of this series and can't remember how many times Derrick Rose wheeled into the lane, spun one way or the other and either scooped in a layup or a floating one-hander. He does it again and again and again. He does it whenever he wants. Thank God, Vinny hasn't noticed. I have never seen a better athlete play point guard. It wasn't that he blocked Rajon Rondo's game-winning shot in Game 6 as much as how beautiful the play itself was: Rose sniffing out the move, mirroring everything Rondo did, then jumping like a frog and swatting the shot as cleanly as you can swat a shot. A perfect basketball play. That's what it was.

There are many great things about sports, but here's one of the best: You never know when two teams will click. I used a boxing analogy in my column after Game 2, and it still stands. Styles make fights and styles make playoff series. Has to be a constant tug between young and old, unstoppable and stoppable, physical and finesse, experience and inexperience, fast and slow, big and small, stupid and smart. You need guys continually rising to the occasion and pushing themselves to a level they didn't know they had. You need two teams (or fighters) hugging each other afterward and thinking to themselves, "Thank you. You brought out the best of me. Thank you."

We love sports for the simple reason that we never know when this will happen. It rarely does. We watch a lot of crummy games. We watch sporting events that had potential to be great and weren't. We watch sporting events that almost made it, but one dumb thing happened to screw it up: A foul at the wrong time, a penalty, a two-base error, whatever. We keep watching. We keep hoping. And when everything clicks, it's blissful. I am hearing from people who haven't e-mailed me in years. Readers are sending me 700-word e-mails. The thing that keeps jumping out: Even fans without rooting interests have gotten swept up in this series. How can you not?

Think of all the crap we deal with as fans. "Bulls-Celtics 2009" explains why we put up with every story about Clemens and Bonds and Michael Vick and Terrell Owens and everyone else who conspires to make sports less fun. On the same day of Game 6, a story broke that Alex Rodriguez was allegedly seen with human growth hormone. The story was digested and consumed in the same predictably brief cycle: Mainstream Web sites and blogs and message boards and sports radio first, then "PTI" and "Around the Horn," then "SportsCenter," then newspapers and magazines. You can either throw yourself into that cycle or look the other way. I am getting older. I just want to watch sports. I have trained myself to look the other way. This stuff clutters my brain, and not in a good way. I just want to watch sports. I just want to watch sports.

So yeah, that's why Celtics-Bulls meant something to me -- just like Warriors-Mavs meant something two years ago. My team won the title last year. I'm only one year into a five-year grace period. I thought I was playing with house money. I never imagined a Celtics series in 2009 would matter this much to me. I never imagined being that crestfallen after a Round 1 defeat. When Noah stole the ball from Pierce and dunked on him, I threw a tantrum like a little kid. I screamed out a slew of F-bombs. I ran outside my house and screamed some more. How could the 2008 Finals MVP commit such a dumb foul? He had five! Didn't he know he had five???? And what's worse than a Jo-No celebration at the expense of your own team? I screamed and screamed and screamed. That play ripped my heart out.

At the same time, I'm glad I still care. I'm glad it still matters. I will always appreciate this Bulls team because they did the impossible: They made a fan base that just won a title care even MORE about their own team. Last season barely matters right now. All that matters is winning the most incredible playoff series ever played. I don't even care what happens after Game 7; we can't beat the LeBrons anyway. This is our NBA Finals. Right here. The Celtics fans feel that way, and so do the Bulls fans. I can promise you.

I thought about all of these things during my marathon walk. And this, too: When I was 6, my father took me to the greatest basketball game ever played: Game 5 of the 1976 Finals. I slept through the second half, the first overtime and most of the second overtime before waking up for Havlicek's running banker. I can still see it. Happened right in front of us. The Celtics won that one in three overtimes. Thirty-three years later (ironic number), they played another three-OT classic and lost. I was a little boy for the first one; for the second one, I watched most of it with my little boy. He had no idea what was going on. When he's older, I'm going to tell him that he did.

Sports keeps moving. You get older. You pass the love down to your kids. You think you will care less ... and you don't. The Tony Allen sub killed me. The Pierce foul killed me. The Rose block killed me. Two toe-on-the-line 3-pointers ... I can't stop thinking about them. Add everything up and that's how I ended up 500 blocks from my house fretting about Game 7 and rehashing everything that happened in the other six.

By the time we returned home, Rufus was dragging like Ray Allen at the end of that third overtime. I felt bad for him. He looked at me like he was thinking, "Please Lord, never again." He demolished his first bowl of water in 2.34 seconds. He demolished the second one in 5.67 seconds. Then he passed out. He might not wake up until tomorrow.

I don't have the heart to tell him that another marathon walk might be looming on Saturday night. My best-case scenario would be the Celtics winning in quintuple-OT, followed by Ray Allen and Ben Gordon collapsing into each other's arms like Apollo and Rocky as Allen says, "Ain't gonna be no rematch." My worst-case scenario would be grabbing Rufus' leash with a frown and rubbery legs. Either way, I am prepared for anything: KG pulling a Willis Reed, Jordan and Bird showing up, Rondo hitting John Salmons with a chair, Doc running the series-deciding play for Tony Allen, Kevin Harlan's head flying off his body, Tim Thomas experiencing a human emotion, you name it. That's the best thing about this series: Anything is possible. The ceiling hasn't just been removed, it's been obliterated.

Call it Game 7, call it Round 15, call it whatever you want. Just remember to call it the greatest first-round series ever played. I hope and pray it doesn't end with me taking a walk.

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Apr. 14th, 2009

This is not good


Apr. 7th, 2009

My Back Has Been Twitching for Two Days

God this is annoying.  And I should probably be a bit worried, too.  Fuck!

Apr. 6th, 2009

Am I Seeing This--Sly Stallone in a Bollywood Movie?

If I'm getting this right, and that could be a big "if", Sylvester Stallone has a part in this Bollywood film, entitled Kambakht Ishq.  The IMDb plot synopsis reads, "A romantic comedy about an Indian stuntman who takes Hollywood by storm but cannot find true love."

The extent of my Bollywood knowledge is pretty much Slumdog Millionaire, so forgive me if I after seeing this style on display here I ask What The Fuck Is Going On Here.  Stallone, in all his HGH-reeking beauty, introduces himself as John Rambo, Denise Richards and Brandon (Superman) Routh both have seriously strange cameos, and Arnold Schwarzenegger and Carmen are both due for appearances in the movie, according to IMDb.  

Also, I am seeing this movie, I'll do whatever it takes.



Kid Cudi is my new favorite



(Not to be confused with 23-year-old Moe MacDougall.)

Apr. 5th, 2009

207

On the train back to Boston right now, got a few minutes to spare.  Went back home early Friday to catch the high school's production of "Guys and Dolls", which they pulled off as well as you could expect from such an inexperienced cast (scary to think what it will be like next year, over half the program are seniors).  The little brother was great, a real star-making performance.  He's got a small frame and usually an even smaller voice, but he belted his shit out, was very expressive and natural on stage.  Would it be corny to say that I'm...proud...of...him?

The rest of the weekend was...well, pretty Maine.  I watched The Color of Money after seeing its predecessor, The Hustler, a few weeks back.  Talk about a drop-off.  It's easily the most boring and uninvolved Scorsese movie I've ever seen, containing very little of the visual pizazz his work does, and the story unfolds so straight-forwardly its as if the writer hammered out the bullet points of how the story progresses without giving a damn about making it interesting.  Newman rocks a mustache like no one's business, though. 

Also checked out Trainspotting, the little English bit that put recent Oscar winner Danny Boyle on the map.  It's kinetic as hell, which is what I liked.  The energy is certainly there, but what is the point?  It shifts focus way to much, bouncing back and forth between a too brief statement on modern consumer culture and the story of a few junkies.  I still have yet to be convinced that Boyle really has any amount of clarity regarding his thoughts on people.

The baseball season kicks off tonight.  Anyone else watching?

Apr. 2nd, 2009

"The Country Needs a Bong Break"

Tags:

I Just Sat Down at My Computer

And this was up.




Mar. 30th, 2009

A Chick in My Speech Class Talked About Puppy Genocide

And I didn't care.

Mar. 27th, 2009

Freak Shot


LeBron underhands it from past half court.  Unfair.

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